Hinh website 2024 05 25T093701.703
“Scroll down to the end of the article to listen to music.”

Introduction

“Concrete Angel” resonates deeply, not just as a song but as a powerful narrative set to music. Martina McBride’s soulful delivery and the poignant storytelling pull listeners into a heart-wrenching tale of struggle and hope. This song, with its compelling message and emotive melody, stands as a testament to the power of music to raise awareness and evoke compassion.

About The Composition

  • Title: Concrete Angel
  • Composer: Stephanie Bentley and Rob Crosby
  • Premiere Date: November 2002
  • Album/Opus/Collection: Included in Martina McBride’s “Greatest Hits” compilation album
  • Genre: Country

Background

Written by Stephanie Bentley and Rob Crosby, “Concrete Angel” was released by Martina McBride, a renowned figure in country music known for her powerful soprano vocals. This song, part of her “Greatest Hits” album, touches on the grave issue of child abuse, narrating the story of a young girl’s suffering and tragic fate due to domestic violence. It achieved significant chart success, peaking at number 5 on the Billboard Hot Country Songs and earning a Platinum certification​ (Wikipedia)​​ (Wikipedia)​​ (Wikipedia)​.

Musical Style

“Concrete Angel” is distinguished by its compelling blend of acoustic and electronic elements, with Martina McBride’s vocals powerfully conveying the song’s emotional depth. The arrangement includes acoustic guitar, piano, synthesizer, and subtle drumming, which together create a poignant soundscape that enhances the song’s narrative impact.

Lyrics/Libretto

The lyrics of “Concrete Angel” tell a story of neglect and abuse through the eyes of a young girl named Angela. The song details her painful daily life, culminating in a tragic and fatal act of violence. This narrative is both a reflection on the often-overlooked signs of abuse and a call to action to protect vulnerable children.

Performance History

“Concrete Angel” is one of McBride’s most impactful songs, often highlighted in her live performances. The song’s powerful message and McBride’s emotive delivery make it a staple in her concerts, resonating deeply with audiences.

Cultural Impact

The song’s powerful message about child abuse has made it an anthem for awareness on the issue, featured in various campaigns and educational materials. Its music video, which ends with a call to report abuse, received a Grammy nomination and has been influential in promoting social change​ (Wikipedia)​.

Legacy

“Concrete Angel” remains a significant work in Martina McBride’s career and in the landscape of country music. Its emotional depth and social commentary continue to engage and inspire new generations of listeners, maintaining its relevance and impact.

Conclusion

“Concrete Angel” is more than just a song; it’s a poignant reminder of the struggles that too many children face silently. I encourage everyone to listen and reflect on the powerful messages it conveys, and to explore Martina McBride’s performances of this moving piece to fully experience its emotional impact.

Video

Lyrics

She walks to school with the lunch
She packed
Nobody knows what she’s
Holdin’ back
Wearin’ the same dress
She wore yesterday
She hides the bruises with linen
And lace
The teacher wonders but she
Doesn’t ask
It’s hard to see the pain
Behind the mask
Bearing the burden
Of a secret storm
Sometimes she wishes she was
Never born
Through the wind and the rain
She stands hard as a stone
In her world that she can rise above
But her dreams give her wings
And she flies to a place where
She’s loved
Concrete angel
Somebody cries in the middle
Of the night
The neighbors hear, but they turn
Out the lights
A fragile soul caught in the hands
Of fate
When morning comes
It’ll be too late
Through the wind and the rain
She stands hard as a stone
In her world that she can rise above
But her dreams give her wings
And she flies to a place where
She’s loved
Concrete angel
A statue stands in a shaded place
An angel girl with an upturned face
A name is written on a polished rock
A broken heart that the world forgot
Through the wind and the rain
She stands hard as a stone
In her world that she can rise above
But her dreams give her wings
And she flies to a place where
She’s loved
Concrete angel

Related Post

THE BOY DISAPPEARED UNDER KENTUCKY LAKE IN JULY. THREE YEARS LATER, HIS FATHER WOKE UP AT 3:30 A.M. AND WROTE THE SONG HE NEVER PLANNED TO RELEASE. On July 10, 2016, Craig Morgan’s family was on Kentucky Lake in Tennessee. His 19-year-old son, Jerry Greer, had just graduated from Dickson County High School. He had been an athlete. He was supposed to play football at Marshall University. That summer day was not supposed to become a headline. Jerry was tubing with another teenager when he fell into the water. He was wearing a life jacket. Then he did not come back up. The search began as rescue. Boats moved across the lake. Officials brought in sonar. Family waited through the kind of hours no parent knows how to measure. The next day, Jerry’s body was found. Craig did not turn the grief into music right away. For years, the house had to keep moving around the empty space. His wife Karen kept Jerry’s name alive in family conversations. Holidays still came. Birthdays still came. The pain did not leave just because the world stopped watching. Then, nearly three years later, Craig woke up before daylight. Around 3:30 in the morning, he got out of bed and started writing. “The Father, My Son, and the Holy Ghost” was not built like a radio single. Craig wrote and produced it himself. At first, he did not even intend to release it. Then he did. Blake Shelton heard it and pushed people toward the song. It climbed the iTunes charts without the usual machine behind it. That was not just another grief song. That was a father finally opening the door to a room his family had been living in since the lake took Jerry.

You Missed

THE BOY DISAPPEARED UNDER KENTUCKY LAKE IN JULY. THREE YEARS LATER, HIS FATHER WOKE UP AT 3:30 A.M. AND WROTE THE SONG HE NEVER PLANNED TO RELEASE. On July 10, 2016, Craig Morgan’s family was on Kentucky Lake in Tennessee. His 19-year-old son, Jerry Greer, had just graduated from Dickson County High School. He had been an athlete. He was supposed to play football at Marshall University. That summer day was not supposed to become a headline. Jerry was tubing with another teenager when he fell into the water. He was wearing a life jacket. Then he did not come back up. The search began as rescue. Boats moved across the lake. Officials brought in sonar. Family waited through the kind of hours no parent knows how to measure. The next day, Jerry’s body was found. Craig did not turn the grief into music right away. For years, the house had to keep moving around the empty space. His wife Karen kept Jerry’s name alive in family conversations. Holidays still came. Birthdays still came. The pain did not leave just because the world stopped watching. Then, nearly three years later, Craig woke up before daylight. Around 3:30 in the morning, he got out of bed and started writing. “The Father, My Son, and the Holy Ghost” was not built like a radio single. Craig wrote and produced it himself. At first, he did not even intend to release it. Then he did. Blake Shelton heard it and pushed people toward the song. It climbed the iTunes charts without the usual machine behind it. That was not just another grief song. That was a father finally opening the door to a room his family had been living in since the lake took Jerry.

THE STAGE WENT SILENT IN LAS VEGAS ON SUNDAY NIGHT. SIX DAYS LATER, THE SAME SINGER STOOD ON LIVE TELEVISION AND SANG TOM PETTY’S “I WON’T BACK DOWN.” The crowd at Route 91 Harvest did not know the last song would be interrupted by gunfire. It was October 1, 2017. Las Vegas. More than 22,000 people were packed into the festival grounds across from Mandalay Bay. Jason Aldean was onstage, closing the third night of the festival, doing what country stars do on nights like that — lights up, band loud, crowd singing back. Then the sound changed. At first, some people thought it was equipment. Then the band stopped. People started running. Aldean was rushed offstage. By the end of the night, 58 people were dead and hundreds more were injured. The shows after that were canceled. There was nothing normal to return to yet. Then Saturday came. Instead of opening Saturday Night Live with a sketch, the show opened with Jason Aldean standing under quiet studio lights. No joke. No big introduction. Just the man who had been on that Las Vegas stage less than a week earlier, looking into the camera and trying to speak for people still hurting. He said everyone was struggling to understand what had happened. Then the band started. Not one of his hits. Tom Petty’s “I Won’t Back Down.” Petty had died the day after the shooting. The song carried both losses into the same room. Aldean later released the performance to raise money for Las Vegas victims. That wasn’t a comeback performance. That was a country singer walking back to a microphone before the silence had even cleared.